Design
Illustration
Motion
☻ Looking for new roles and work! ☻
I’m a graphic designer with skillsets in brand, motion and illustration based in the SF Bay Area.
I’ve previously been at Droga5, Hub Collective, and Electronic Arts in long term roles.
I’ve worked with: Nickelodeon, The New York Times, Matress Firm, Google, Chase, City of Portland, Pleasant Hill, CA, Target and 826 Valencia
💌 xtinetinoso@gmail.com
@_tinoso
I’m a graphic designer with skillsets in brand, motion and illustration based in the SF Bay Area.
I’ve previously been at Droga5, Hub Collective, and Electronic Arts in long term roles.
I’ve worked with: Nickelodeon, The New York Times, Matress Firm, Google, Chase, City of Portland, Pleasant Hill, CA, Target and 826 Valencia
💌 xtinetinoso@gmail.com
@_tinoso
XTINE TIÑOSO
Looking for new roles and work! ☻ ☻ ☻
I’m a graphic designer with skillsets in brand, motion and illustration based in the SF Bay Area. I’ve previously been at Droga5, Hub Collective, and Electronic Arts in long term roles.
I’ve worked with: Nickelodeon, The New York Times, Matress Firm, Google, Chase, City of Portland, Pleasant Hill, CA, Target and 826 Valencia
💌 xtinetinoso@gmail.com
@_tinoso
I’m a graphic designer with skillsets in brand, motion and illustration based in the SF Bay Area. I’ve previously been at Droga5, Hub Collective, and Electronic Arts in long term roles.
I’ve worked with: Nickelodeon, The New York Times, Matress Firm, Google, Chase, City of Portland, Pleasant Hill, CA, Target and 826 Valencia
💌 xtinetinoso@gmail.com
@_tinoso
Liberation in Practice
APANO
Roles— Art Direction, Design
Liberation in Practice facilitates community conversations on resilience, connections, and growth. I designed a workshop campaign centered around care, guidance, community, and growth.
“The path to liberation is not straight. There are many twists, turns, and unknowns; however once your feet touch that path there is no other road to walk.”
“The path to liberation is not straight. There are many twists, turns, and unknowns; however once your feet touch that path there is no other road to walk.”
Icons
I design icons to represent the core ideas of the series and arrange them in a compass formation to visually unify them. The icons have rounded edges and thick lines to create a warm and approachable feeling, which contrasts with the blocked-off typeface. Informational but not oppressive. Energy and approachability are key to the series, as we want the concepts and discussions to feel familiar to all audiences.
Illustration
In addition to creating a logo for the campaign I illustrated indvidual visuals for each workshop to give a easier idea about the purpose for each workshop and drive interest for those more visually appealed to.
